David de MoraesPHOTOGRAPHY / MOTION / SOUND
FIELD NOTES / SIDE B / VOL. 02PHOTOGRAPHY. MOTION. GOOD NOISE.
Sedona Red Rocks

Look longer.

a little out
of line.

Take a wrong turn. Find something worth staying for.

REAL PHOTOGRAPHS. ROUGH EDGES.
ON VIEW 01 / 07Coastal
Dig through the work
THE PHOTOGRAPHS ARE REAL. THE MESS IS INTENTIONAL.NOT LOST. JUST LOOKING.
01 / NOTES FROM THE MARGINS

Not everything
needs to
behave.

A place can be a picture. A picture can become a feeling. This is an ongoing conversation between what we see, what we hear, and what stays with us.

02 / THE PHOTOGRAPHS07 PHOTOGRAPHS

LOOSE ENDS.

No perfect order.
Just somewhere to start.

03 / THE MOVING PARTSPICTURES WITH A PULSE

PLAYit back.

The moments between
the photographs.

04 / CHANGE THE FREQUENCY

SOUND
optional.

A soundtrack, not an ambush.
Choose a frequency. Or keep the silence.

NOW TUNED TOSignal
A soundtrack of your choosing.
05 / TRANSMISSIONSOUT IN THE WORLD / BACK HERE

FOUND INTHE WILD.

Loose signals.
Side streets.
Follow the trail.

MAKE SOMETHING. LEAVE A TRACE.
06 / THE PERSON BEHIND IT

David
de Moraes.

Prints, commissions, screenings, collaborations.
Let’s start a conversation.

info@daviddemoraes.com

Inquire about a print ↗

Original photograph. Full composition.
Prints and custom framing by inquiry.

MOTION / SCREENING ROOM

THE CONTROL ROOM

Change the air.

A different atmosphere. The photographs stay exactly themselves.

THE SOUNDTRACK

No soundtrack selected.

Sound begins only when you choose it. Silence is always an option.